Posted by Athena Scalzi
https://whatever.scalzi.com/2025/09/22/the-big-idea-delilah-s-dawson-5/
https://whatever.scalzi.com/?p=57434
Writing a book is like riding a bike: once you’ve got it down, you never have to learn how to do it again, right? Such may not be the case. In her Big Idea, author Delilah S. Dawson delves into the writing process and learning curves she faced, even after numerous novels. Follow along to see what challenges and changes came with creating her newest book, Thor & Loki: Epic Tales From Marvel Mythology.
DELILAH S. DAWSON:
The Big Idea: Sometimes Your Process Changes, and That’s Okay
I’ve written over forty books and had thirty-two of them—the good ones—published, so you’d think that I know how to write a book.
As it turns out, you would be wrong.
At least partially.
Because the thing about writing books is that just because you know how to write one book does not mean you know how to write another. Books are like fingerprints in that each one is wholly individual, unique in all the world. Books are unlike fingerprints in that they cannot be easily compared to koala bears.
Except—
Well, koala bears are notoriously single-minded and stubborn, and writers can be like that, too. Hopefully, I will convince you otherwise.
When I write a novel, I write the story straight through from the first page to the last page. I don’t jump around chapters, reread extensively, or edit as I go. I think of it like carrying hot laundry from the dryer to the bed: you wrap it in your arms and run, and if you drop a sock, you leave it behind because we all know that one hasty squat can topple the entire basket. I do multiple revisions, lest you think I am publishing the equivalent of inside-out, cat-hair covered socks, but that initial run from page one to THE END is the skeleton on which the meat of my story rests.
This method worked for thirty-one books, and then suddenly, it didn’t.
When I was invited to write Thor and Loki: Epic Tales from Marvel Mythology, I quickly realized that my Hot Laundry Process could not serve me. Instead of weaving a story from my own brain and heart, creating a new world out of the threads crafted from my creative spinnerets, I was tasked with taking an existing mythology and retelling it for a modern audience through the well-known voices of Marvel’s Thor and Loki. The Norse myths spring from an oral tradition, and there is no one, total, mutually accepted, complete source to study. Not only that, but there is no one specific Thor or Loki. Like the myths that bore them, these two ancient gods have been depicted in multiple movies, TV shows, and comics, and each individual fan has a favorite Thor or Loki, a platonic ideal of the character that they hold in their heart.
Thus, my task was to take two well-known, beloved characters that have existed simultaneously as gods and goofs for the past twelve hundred or more years, distill them into a fine mead, and then syphon that golden sauce through the sieve of collective comic memory and Icelandic poetry.
Can’t believe I’m saying this, but it might be easier to do laundry.
I don’t generally suffer from Writer’s Block, not only because I have deadlines and a mortgage, but also because I trust in my process. And yet you must believe me when I tell you that I came to a standstill on this project and began to dread it. When I invent a world, I become its god, and every decision I make solidifies the character and story. In that realm, I am always correct, and reality conforms to my whims. But in the realm of Thor, Loki, and their shared mythology, I had to instead become the bard.
In the Norse tradition, the bard is the keeper of story and memory, a vaunted figure; Odin is considered the god of poetry, and one of the myths that has lasted through the centuries tells the tale of the first bard and the mead of poetry. The bard’s job is not to spin tales from the ether, but rather to pass down the stories from one generation to the next, to remember them in a time with no written record. Each bard carried the myths and told them in a unique fashion, reminding the tavern’s occupants how to live and worship while entertaining them.
Once I realized that my job was to take up the bard’s tankard, suddenly the book actually began to flow. Instead of telling my own story, I broke the project down into chapters, and each day, my task was to look at a particular myth from several different sources and spin my own version. Or, more accurately, to channel the voices of Loki and Thor as they each compete to woo the Avengers to their side using all the bard’s techniques of enchantment and, well, propaganda. Adding in a few famous Thor and Loki tales from the Marvel comics was even more of a challenge. From The First Avenger in 1963 to Thor, Frog of Thunder and the more recent Loki for President, it was a delight to create my own poetry from famous stories never before told in prose.
For the first time, my chapters jumped around. I wasn’t carrying laundry from point A to point B; I was putting a puzzle together. Unlike all my other books, the Norse myths don’t have a specific chronology. Although there is a very distinct beginning, which involves a very large cow licking a giant, and a very distinct ending, known as Ragnarok, what happens in between is fluid. As Loki tells the Avengers, the myths exist to entertain and teach, not help you draw up an accurate timeline. Part of the bard’s art is selecting just the right story to tell.
Now, this is not the first time I’ve had to completely change my process. Writing my first novella, also known as ‘a book that is only 40% of a book’, had quite the learning curve, and I did such a bad job writing my first comic that I burst out crying at a hotel buffet during a Santa Claus convention. I’ve been writing professionally since 2012, and I’ve learned to always trust my process, and when that process stops working, to find a new process. There is no one way to write a book. A writer’s process may change over decades, years, projects, or chapters. Whatever gets the book done? That’s your process.
If you don’t have a process yet, I highly recommend the book Story Genius by Lisa Cron, which teaches you to outline by marrying character arc to plot using the third rail of emotion. And if you already have a process, maybe don’t cling to it too tightly. Don’t be that koala that will only eat eucalyptus if it’s on the branch. Writing is about fluidity and play and experimentation. As Charles De Mar says in Better Off Dead: Go that way, really fast. If something gets in your way, turn.
Thor & Loki: Amazon|Barnes & Noble|Bookshop|Powell’s
Author socials: Website|Instagram|Bluesky
https://whatever.scalzi.com/2025/09/22/the-big-idea-delilah-s-dawson-5/
https://whatever.scalzi.com/?p=57434
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LONELY PROMPTS WEEK :: 23 SEPTEMBER § DAY 2
Sep. 23rd, 2025 07:57 amIn the past, we used to have a "winner" who completed the most fills every day, and at the end of the week, we'd announce an overall winner. But this time around, we're doing things differently! There are no winners or “losers”, just prompts that have been filled. At the end of the week, we'll be sharing a round-up post of all the lonely prompts that have been filled.
Tuesday’s Theme: All fills must be in the fluff or feel good realm.
If you leave a request, please make sure it follows the theme for the day, however, you are more than welcome to fill any lonely prompt and share the fill here. Just let me know so that I can include the totals in a separate list.
Please number your fills when leaving more than one in a comment. This helps me when I'm ready to count them up.
To find those elusive Lonely Prompts, you can use LJ’s advanced search options to limit keyword results to only comments in this community. Fret not, DW members; we are working on a way to search through old entries for prompts for you! As of right now, the best way to search for a lonely prompt on DW is to search the community’s archive, which can be found [[HERE]].
While the use of LJ's advanced search and DW’s archive are options, bookmarking the links of prompts you like might work better for searching in the future.
To get things going, a few rules that I ask you all to follow.
1. You can only request five prompts to be filled.
2. You can request no more than three prompts from the same fandom.
3. You can, however, fill as many prompts as you'd like!
4. In the subject line, be sure to say whether this is a request or a fill!
5. You must link back to whatever the prompt is in the community logs (whether filling or requesting it be filled), and, if you're filling the prompt, please complete the fill as a response to the original prompt.
6. If you are filling an "any/any" prompt, please let us know what fandom (or, if original, say so!) you're using for the response.
7. If you filled any lonely prompts earlier this week, this is the place to share them!
8. Finally, we now have a community at AO3. If you have an AO3 account, please post your fills there. More information on how to do this is located at this link.
How to link:
[a href="http://comment-fic.livejournal.com/449155.html?thread=70682755#t70682755">MCU, Tony Stark/Pepper Potts, She's wearing daisy dukes and one of his button-down shirts.[/a]
(change the brackets to "<" and ">" respectively)
or:
http://comment-fic.livejournal.com/139897.html?thread=30155641#t30155641
Burn Notice, Sam/Michael/Fi, "It's always been you. And it's always gonna be you."
HAPPY REQUESTING/WRITING/FILLING!